05 Jul Temple European and American Art, 1715-1840

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answer each questions. if you don’t have the Artists of World War II, I can send it to you. my email address: zhangtiankun123@gmail.com

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Week 6

Feb 18 – 24
Chapter 30: European and American Art, 1715-1840

Antoine Watteau, Pilgrimage to Cythera, 1717, oil on canvas

Jean Honoré Fragonard, The Swing, 1766, oil on canvas

Joseph Wright of Derby, A Philosopher Giving a Lecture at the Orrery, 1763-65, oil on canvas

Angelica Kauffmann, Cornelia Pointing to Her Children as Her Treasures, c. 1785, Oil on canvas

Thomas Jefferson, Monticello, Charlottesville, Virginia, 1769–1782, 1796–1809

John Singleton Copley, Watson And the Shark, 1778, Oil on canvas

Sebastian Salcedo, Virgin of Guadalupe, 1779, Oil on panel and copper

Jacques- Louis David, Oath of the Horatii, 1784, oil on canvas

Jean-Auguste-Dominique Ingres, Grande Odalisque, 1814, oil on canvas

Francisco Goya, Third of May, 1808, 1814-15, oil on canvas

Théodore Géricault, Raft of Medusa, 1818-1819, oil on canvas

Eugéne Delacroix, Liberty Leading the People, 1830, oil on canvas

Honoré Daumier, Rue Transnonain, Le 15 Avril 1834, 1834, Lithograph

Joseph Mallord William Turner, The Burning of The Houses of Lords and Commons, 16th October 1834, 1834, Oil on canvas

Thomas Cole, The Oxbow, 1836, Oil on canvas

salons

capriccio

history paintings

memento mori

veduta

odalisque

fête galante

academies

lithography

Grand Tour

picturesque

sublime

Chapter 31: Mid to late 19th Century in Europe and United States

Louis-Jacques-Mandé Daguerre, The Artist’s Studio, 1837, Daguerreotype

Gustave Courbet, The Stone Breakers, 1849, oil on canvas

Joseph Paxton, The Crystal Palace, London, 1850–1851, Iron, glass, and wood.

Rosa Bonheur, The Horse Fair, 1853–1855, Oil on canvas

Édouard Manet, Olympia, 1863, oil on canvas

Jean-Léon Gérôme, The Snake Charmer, c. 1870, Oil on canvas

Thomas Eakins, The Gross Clinic, 1875, oil on canvas

Claude Monet, Impression Sunrise, 1872, oil on canvas

Gustave Caillebotte, Paris: A Rainy Day, 1877, oil on canvas

Mary Cassatt, Woman Bathing, 1890–1891, Color dry point and aquatint

Georges Seurat, A Sunday on La Grande Jatte, 1884-1886, oil on canvas

Vincent Van Gogh, Starry Night, 1889, oil on canvas

Paul Gauguin, Mahana no atua (Day of the God), 1894, Oil on canvas

Paul Cézanne, Still Life with Basket of Apples, 1880–1894, Oil on canvas

Edvard Munch, The Scream, 1893, tempera and oil on unprimed canvas

historicism

calotype

Japonisme

Orientalism

avant-garde

complementary color

daguerreotype

en plein air

Chapter 32: Modern Art in Europe and the Americas 1900-1950

Henri Matisse, The Joy of Life (Le Bonheur De Vivre), 1905–1906, Oil on canvas

Pablo Picasso, Les Demoiselles d’Avignon, 1907, Oil on canvas

Georges Braque, Violin and Palette, 1909–1910, Oil on canvas

Ernst Ludwig Kirchner, Street, Berlin, 1913, Oil on canvas

Vassily Kandinsky, Improvisation 28 (second version), 1912, Oil on canvas

Umberto Boccioni, Unique Forms of Continuity in Space, 1913, bronze

Marcel Duchamp, Fountain, 1917, Porcelain plumbing fixture and enamel paint

Hannah Höch, Cut with the Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany, 1919, Photomontage and collage with watercolor

Piet Mondrian, Composition with Yellow, Red, and Blue, 1927, Oil on canvas

Le Corbusier, Villa Savoye, Poissy-Sur-Seine, France, 1929–1930

Salvador Dalí, Birth of Liquid Desires, 1931-32, Oil on canvas

Joan Miró, Composition, 1933, oil on canvas

Pablo Picasso, Guernica, 1937, Oil on canvas

Jacob Lawrence, The Migration Series, Panel No. 1: During World War I There Was A Great Migration North by Southern African Americans, 1940–1941, Tempera on Masonite

Diego Rivera, The Great City of Tenochtitlan (Detail), Mural in patio corridor, National Palace, Mexico City, 1945, Fresco

Frida Kahlo, The Two Fridas, 1939, Oil on canvas

Joaquín Torres-García, Abstract Art in Five Tones and Complementaries, 1943, Oil on board mounted on panel

Jackson Pollock, Autumn Rhythm (Number 30), 1950, Oil on canvas

Barnett Newman, Vir Heroicus Sublimis,1950–1951, Oil on canvas

primitivism

readymade

grattage

photomontage

automatism

Formalist

assemblage

non-objective

action painting

Chapter 33: The International Scene since 1950

Jasper Johns, Target with Plaster Casts, 1955, Encaustic and collage on canvas with objects

Yves Klein, Anthropométries Of the Blue Period, 1960, Performance at the Galerie Internationale d’Art Contemporain, Paris.

Shozo Shimamoto, Hurling Colors, 1956, Happening at the second Gutai Exhibition, Tokyo

Yoko Ono, Cut Piece, 1965, Film still of performance at the Carnegie Recital Hall, New York on March 21, 1965

Richard Hamilton, Just What Is It That Makes Today’s Homes So Different, So Appealing?, 1956, Collage

Andy Warhol, Marilyn Diptych, 1962, Oil, acrylic, and silk-screen enamel on canvas

Robert Morris, Untitled (Mirror Cubes), 1965–1971, Mirror, plate glass, and wood

Joseph Kosuth, One and Three Chairs, 1965, Wooden folding chair, photograph of chair, and photographic enlargement of dictionary definition of chair; chair

Nam June Paik, Electronic Superhighway: Continental U.S., 1995, Forty-seven-channel closed-circuit video installation with 313 monitors, neon, steel structure, color, and sound

Eva Hesse, No Title, 1969–1970, Latex over rope, string, and wire

Robert Smithson, Spiral Jetty, 1969–1970, Mud, precipitated salt crystals, rocks, and water, Great Salt Lake, Utah

Judy Chicago, The Dinner Party, 1979, White tile floor inscribed in gold with 999 women’s names; triangular table with painted porcelain, sculpted porcelain plates, and needlework

Ana Mendieta, Untitled, From the Tree of Life Series, 1977, Color photograph

Ludwig Mies van der Rohe and Philip Johnson, Seagram Building, New York, 1954–1958

Robert Venturi, Façade, Vanna Venturi House, Chestnut Hill, Philadelphia, Pennsylvania, 1961–1964

Guerrilla Girls, The Advantages of Being A Woman Artist, 1988, Offset print

James Luna, The Artifact Piece, First staged in 1987 at the Museum of Man, San Diego

Lorna Simpson, Stereo Styles, 1988, Ten black-and-white Polaroid prints and ten engraved plastic plaques

Andres Serrano, Piss Christ, 1989, Cibachrome print mounted on Plexiglas

Maya Lin, Vietnam Veterans Memorial, Washington, DC, 1981–1983

Shirin Neshat, Rebellious Silence, 1994, Black-and-white RC print and ink

Kerry James Marshall, Many Mansions, 1994, Acrylic on paper mounted on canvas

David Hammons, Untitled, 2004, Nylon

Kara Walker, Darkytown Rebellion, 2001, Cut paper and projection on wall

Olafur Eliasson, The Weather Project, 2004 installation, Turbine Hall, Tate Modern, London

encaustic

Happenings

silkscreen

combines

performance art

commodification